Tuesday Tip: Storyboard It!

Tuesday tips is a category of posts here at Writerly Life that promises to offer concrete tips for improving or kickstarting your writing. The tips that fall into this category are the sorts that you can do today or even right now.

This week’s tip:

Storyboard a Scene

It’s been a while since I sent out a tip for writing at your best, so it’s about time I gave my readers one. Today I’m thinking about techniques used in cinema, and how those techniques can really improve our fiction writing. One thing that cinema has on fiction is its tight, efficient use of plot. Movies usually move more swiftly than novels and just feel “plottier” than the average book. It’s only the most tightly-plotted books, for example, that end up getting translated into movies, and even then they have to be compressed and streamlined, with whole characters and plotlines eliminated, to work on screen.

There’s no reason that we can’t learn from movies and help make our stories tighter and “plottier.” Try using a technique that filmmakers use when planning their scenes. They work in the medium of images, so draw a few boxes on a few sheets of paper — typically two or three to a page, totalling six to eight boxes. Those are the keystone images or moments that will make up just one scene. Start filling in the boxes — what needs to happen in this scene? What are the essential character moments, choices, or confrontations that must happen? If you’re no artist, then stick figures will do fine. Try to picture the scene in your mind’s eye, and picture what the most important transformations will be.

The advantage of this strategy is that it will draw the crucial elements of the scene sharply into the focus, instead of letting you wander all over the world you’ve made before figuring out what you want. The other lesson a good movie teaches us is that every scene is essential: every scene features a furthering of the plot, or a crucial decision being made. It’s immediately obvious when watching a movie when a scene feels like fluff, or is irrelevant. We need that same laser focus in our fiction writing too.

Try storyboarding the scene that you’re struggling with, and report back here to tell us how it goes!

One comment

  1. Anita Diggs says:

    That’s a really great idea, and I can see how helpful it would be when developing a plot! Something else I’ve found to be useful is creating a character sketch by creating a character bio. It will be easier to understand if you understand it as a biography, a character biography. For a main character in a novel that character biography should run at least 20 pages, or you are going to find you skipped over a lot of things.

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